Hindustani music is mainly found in North India. Khyal and dhrupad are its two main forms, but there are several other classical and semi-classical forms. There is a significant amount of Persian influence in Hindustani music in terms of the instruments, style of presentation, and ragas such as Hijaz Bhairav, Bhairavi, and Yaman. Ragas such as Kafi and Jaijaiwanti, are based on folk tunes. Players of the tabla, a type of drum, usually keep the rhythm, an indicator of time in Hindustani music. Another common instrument is the stringed tanpura, which is played at a steady tone (a drone) throughout the performance of the raga. This task traditionally falls to a student of the soloist, a task which might seem monotonous but is, in fact, an honour and a rare opportunity for the student who gets it. Other instruments for accompaniment include the sarangi and the harmonium. Emotions are the prime themes of the different ragas in Hindustani classical music.
The performance usually begins with a slow elaboration of the raga, known as badhat. This can range from long (30–60 minutes) to short (8–10 minutes) depending on the raga and the style and preference of the musician.
No comments:
Post a Comment